Sunday, 30 August 2009
John Mayer
I am actually in the middle of watching Bonfire of the Vanities (I wish the actors in this were different - not a big Hanks fan) so I'll make this emotional and uncharacteristic outburst quick. Basically, my friend instructed me to listen to John Mayer a while ago, and because I am a hideously snobby and punk obsessed bitch, I politely (or rudely, I can't recall) declined. On second thoughts, who am I kidding, it was definitely rude. Ashamedly, one of the main reasons for this declination was that I read one too many gossip magazines, and as we all know, Mayer's branded a bit of a Lothario: in other words, a cunt. So, moving on from heinous popular culture character assassinations, the other day, another friend of mine actually took the time to link me to a YouTube video of him, and because all the effort it required from me was a click, I thought, hey, why the fuck not. And man, am I glad I did. The song she linked me to, by the way, was In Your Atmosphere. It is, in short, a masterpiece. It's essentially one of those songs I wish I had written, if I could a) play the guitar or b) sing. You know, being able to do any of the things needed to write a good song, that would be a start. Anyway, so after making the gallant effort to click on a link, I also (shamefully) made the gallant effort to collect various torrents, download them, then listen to them. And I am now a fully-fledged John Mayer fan, and earlier today bought this to make myself feel better about the aforementioned torrents. The Where The Light Is live album is the music dreams should be made of. It's the kind of record that makes me want to pick up my desolate, dust-covered guitar and play it till my fingers bleed. If I did that, by the way, I'd produce about 1/100th of the beauty Mayer stretches across this record. Highlights for me are the blissfully melodic 'Neon', the somewhat devastatingly beautiful 'Gravity' and of course, the song that inspired me to listen to more, 'In Your Atmosphere'.
Anyone who hasn't heard it, needs to put that right, now. At worst, it will be like listening to colossal waves crash on a paradisal beach, i.e. pleasurable but perhaps not something you want to indulge in at all times, and at best it will be the permanent soundtrack to a reflection on the human condition whilst reading endless philosophical texts, as I am doing. Or you might just spin the record a few times and enjoy it, whatever.
Saturday, 8 August 2009
Les Chansons D'Amour
So, I was only going to 'review' new shit, but then I watched this film last night and decided I had to write something about it. I wasn't that optimistic prior to watching due to two factors: I am not by any means a sucker for poncey French sentimentalism, and it only has 2.5 stars on Lovefilm, which I have come to realise means jack shit, but even so, it tainted my disposition. In addition, as a general rule, I don't like anything resembling a musical. It repulses the realism lover in me.
Anyway, first things first. Louis Garrel is a sexy motherfucker. I really do mean sexy here, in a really weird grotesque way where I find his face so intensely fascinating that it becomes an obsession. So I'll be frank, any film with him in was probably going to win my affections in some way, because paying attention was destined to be undemanding at worst. Also, it's not just Garrel in a film, it's Garrel in a SEXUALLY CHALLENGING film. Which brings me onto my next, more substantial and less shallow point...
Les Chansons D'Amour is not a modest attempt at film making. It deals with bisexuality (or homosexuality if you want to conclude that, but I don't), threesomes, death, family relationships, and alongside all that it has to strive to come under the genre of 'musical' without being nauseatingly tacky. The sexuality in the film, in my opinion, is pretty alluring. I like the idea of sexuality having no labels, and I like the fact that when both Ismael and Ludivine are asked to explain their relationships at different points of the film, they don't really feel obliged to. I basically think it manages to portray bisexuality effectively enough that you don't want to question it.
The musical aspect of the film doesn't bother me one way or the other. I mean considering I generally hate musicals, the fact that I didn't smash up the DVD player in abject horror means Christophe Honore has won really. Some of the songs are catchy, and some of them are pretty cute. Actually, fuck it, I'm going to go all out and say the songs actually add to the film as opposed to just running alongside it trying to keep up. Yeah, that's right, you heard me.
I realise this review is almost offensively positive, therefore my criticism will be that the ending had the same kind of intensity that an orgasm has when you've already had about five and you can't be fucked anymore but you're bored enough to get there. It's still good, but it's not the climax you were hoping for. I think that's a good sexual metaphor for a film that I think was considerably sexy despite the whole death vibe.
Enough, I'm now going to go and watch Hollyoaks to balance the brilliance to complete and utter shite ratio that governs my screen viewing.
Tuesday, 21 July 2009
Latest Shook Ones rekkid
God, it's been such a long time since I felt like this about music. Not just because of the Shook Ones record, but just a lot of the stuff I've been listening to has been somewhat renovating my gradually diminishing interest in anything critically good. I suddenly feel like there's about 500 hundred records I need to listen to, right now. It's a good feeling.
Shook Ones are from the same place as Death Cab, but are about a thousand times more rocking, proving a band's birthplace makes about as much difference to their sound as my birthplace does to my intelligence (I love you really Essex). To be honest, Sixteen was an extremely passable record, but I thought there was something kinda lacking. Far from rejecting this band because of their more than slight resemblance to Kid Dynamite, I fucking embrace it, Kid Dynamite are over, AND I WASN'T READY. Anything that sounds like them is fine by me, as long as it's done well.
So, The Unquotable A.M.H is, in short, fucking colossal. I think it's precisely 10.5 times better than Sixteen AND Facetious Folly Feat. There's nothing wrong with an incremental rise in a band's awesomeness in my books, it makes total sense. The highlights of the record are probably 'Equal Opportunity Insults' and 'For Flannel'. The former has a fucking wicked riff towards the end, the latter is just catchy as hell vocals wise.
I have to admit, one of the highest things on my agenda for a record is almost always catchiness, which, admittedly seems to go hand in hand with poppiness. I can't deal with records you have to work hard to appreciate. On the first listen, I was already in love with this album, and yep, it's their poppiest yet. Whatever, shoot me. I'll die happy, because I've listened to this.
That's all I have time for tonight because I'm bloody knackered.
Saturday, 18 July 2009
This Will Be the Death of Us + Gone Baby Gone
It's official; Summer has started. I don't care about the piss-poor weather, the distinct lack of beer on beaches and actually being in the vicinity of any of my friends: Set Your Goals' new record has leaked a few weeks before its release, and it's a fucking keeper. Without sounding too fan girl esque, I love every track, especially 'Equals', which is now my ringtone. Obnoxious as fuuuuuck. I'll be honest, I would rather they hadn't given
Hayley Williams of Paramore a 'guest spot' on 'The Few That Remain', seeing as the intrusive, nasal noise she produces on the track can only be described as a rap, but even that monstrosity is growing on me and I can safely say it hasn't lessened the enjoyment of this diamond for me. Frankly, I am sick of hearing (I use 'hearing' loosely as I really mean 'reading' on the internet) that they've 'sold out'. Were they ever a hardcore band? No. Did they have to create a new record that sounded exactly like Mutiny? No. Are they still a hell of a lot of fun to listen to? Yes. Haterz to the left. I'm actually really liking the artwork as well, so much so in fact that I ordered the shirt and cd bundle. Can't wait for them to tour here off the back of this beaut and get my ass to a show.
Also on my mind today, Gone Baby Gone. Bought it from Sainsbury's earlier for £3.99. Essentially, I'm impressed with the brothers Affleck. Casey shows he can act about a thousand times better than Ben in this movie, and Ben shows he's a dab hand at directing. It's all good. Morgan Freeman's alright in it, nothing special, and he isn't a main character for once. Basically my (very subjective) criteria for the constitution of a good film is that a) I don't get bored, and b) I forget I am watching a film for most of the time, and c) I can't predict the entire plot from the fucking start. This film delivered that. Unexpected, bleak but effective ending.
Wednesday, 5 March 2008
Necessity of Origin
Evaluate the case for the necessity of origin thesis.
In order to answer the ongoing problem of transworld identity, that is to say, how identity can endure across possible worlds, various theories have been developed. Unsatisfied with the notion of a hacceity (the so-called ‘thisness’ of an object which must be a property that the object has in all possible worlds) due to its mysteriousness, metaphysicians have come up with theses that add to the necessity of identity. One of the propositions that attempts to answer transworld identity is the necessity of origin thesis. Put simply, the theory posits that if an object a originated from a certain source in the actual world, then any world in which a exists, a then originates from that same source. This theory seems naturally persuasive, but in this essay I hope to concede this theory doesn’t really bring us any closer to answering how an object’s identity can endure across possible worlds.
In order to discuss the theory’s validity, what it is actually saying must be clarified. To use an example from E. J. Lowe[1], if there is a tree T, and an acorn A, then if T exists, T must necessarily have originated from A. Lowe states that the obvious implication is that even if a similar acorn had been planted exactly where A was planted, the tree that grew would not have been T, therefore: any tree originating from A is T. It is important to note, however, that for Saul Kripke (1980), who first posited a version of the thesis, the necessity of an object has to its origin does not apply to its ensuing history, and that is where the distinction lies. For Kripke, in the example of a human being, it’s ‘source’ as such is its ‘biological antecedents’[2]. Kripke gives an example about the Queen of England, and one could easily imagine history unfolding in a possible world quite differently to how it did in the original world, but one can not easily imagine her being born from different parents, as how could a ‘person originating from different parents, from a totally different sperm and egg, be this very woman?’[3] This seems quite persuasive; however, both Lowe, Penelope Mackie[4] argue that although the intuitiveness of the thesis is undeniable, this does not mean it is defensible.
Starting with Lowe’s argument, it is necessary to first explain the four-world argument for the necessity of origin thesis, which Lowe goes on to conclude is somewhat absurd. Using the same example as before, he uses acorn A and tree T, and goes on to use a further acorn, B. He posits various worlds, using w0, w1… etc:
- w0: A = T. This is the actual world.
- w1: B = T1 = T. This is the second posited world, where we are maintaining even though the acorn is different, they are identical, as A does not exist in w1.
- w2: A = T2a
B = T2b
Here Lowe is positing a world where both acorns exist, growing into similar trees. It seems we should assume acorn T2a here is the more identical with T, as it came from the original acorn A.
- w3: No A.
B = T3
Here, there is a world with no acorn A, but an acorn B. Lowe’s problem with this is that then, there are two worlds, w1 and w3 which ‘differ from each other merely in respect of the identity of a certain object.’[5] The only way then to avoid this seemingly ridiculous position, is to accept the thesis of the necessity of origin. But Lowe has two persuasive objections to this: one is that he does not see why T2a OR T2b have to be identical with T at all. If we say neither are, then we can easily reject the thesis of the necessity of origin. Following on from this, his second objection is why T2a has to be any more likely to be identical with T than T2b. He thinks here we are just championing the certain respects T2a is similar to T, and ignoring the respects T2b may be similar. In conclusion to Lowe’s argument, he says it may well be a strong refutation of the four-worlds argument shown above that it ‘implicitly assumes precisely what it sets out to prove.’[6]
In Mackie’s book, she discusses the various theories that try to solve the gaps in the necessity of origin thesis, such as the ‘overlap requirement’ and the ‘sufficiency of origin’ thesis. For Mackie, it seems irrefutable that we normally have a propensity to assume a human being to keep hold of some properties when we consider how they could have been different, and even some of the unique properties that are related to its origin. So here, Mackie is agreeing with Kripke to a certain extent. She also thinks that we do give more weight to origins of an object than to the subsequent history that ensues. However, she thinks that trying to propose that these facts about our ‘de re modal intuitions can be enshrined in a defensible version of something as strong as the necessity of origin thesis does not… survive careful scrutiny.’[7]
Overall, although the intuitiveness of the thesis does seem undeniable for most philosophers studying and scrutinizing Kripke’s work, the strength of the claim just seems too much to be able to logically prove. Mackie posits the ‘tenacity of origin’ thesis as a much more obtainable conclusion, stating the origin of a subject is ‘normally kept fixed’[8], and nothing stronger than this. Lowe thinks that the thesis of the necessity of constitution is a more plausible one. However, with regards to the necessity of origin thesis, due to the thesis being too strong to accept, it does not answer the question of transworld identity at all adequately, as we cannot really demonstrate or prove it.
[1] Lowe, E. A Survey of Metaphysics (Oxford University Press, 2002).
[2] Kripke, S. Naming and Necessity (Blackwell, 1980) page 113.
[3] Kripke, S. Naming and Necessity, page 113.
[4] Mackie, P. How Things Might Have Been: Individuals, Kinds and Essential Properties, Section 6.
[5] Lowe, E. A Survey of Metaphysics, page 105.
[6] Lowe, E. A Survey of Metaphysics, page 105.
[7] Mackie, P. How Things Might Have Been: Individuals, Kinds and Essential Properties, Section 6.9
[8] Mackie, P. How Things Might Have Been: Individuals, Kinds and Essential Properties, Section 6.9
Saturday, 22 December 2007
Scepticism
The problem of whether we can know we have knowledge is illustrated by this simple form of the sceptic’s argument:
(1) S can know P (some item of empirical knowledge) only if S can know Y (that I am not dreaming/a brain in a vat etc).
(2) S cannot know Y.
(3) Hence, S cannot know P.
The unsatisfactory nature of ‘justified true belief’ as knowledge has led to many attempts to add conditions or totally replace the notion all together. In this writing I will be positing Nozick’s as the most successful of these. Appealing to just common sense, many are prone to just not accepting the sceptic’s radical conclusion, because logically one would just want to advance in an anti-sceptical way. However, conditional accounts such as Nozick’s (1981)[1], seek to show how knowledge can exist despite the sceptic’s argument, and therefore show that S CAN know P without knowing whether or not they are a brain in a vat. This in turn leads to the denial of the closure principle: If S knows P and knows that P entails Y, then S knows (or can be in a position to know) Y. This leads to the denial because if you accept the closure principle, you should be in a position to know that you’re not dreaming or a brain in a vat etc.
Nozick is looking for an account of knowledge that gives you necessary conditions, that is to say any case that fails them would not be an instance of knowledge, and jointly sufficient conditions, that is to say any case that satisfies all of them will be an instance of knowledge. The subjunctive conditionals he formulates are as follows:
(N 1)p is true
(N2) s believes that p
(N3) if p were not true, s would not believe that p
(N4) if p were true, s would believe that p.
How condition (N3) works is illustrated by the Gettier example of believing one person in the office has a Ford, when he doesn’t, but the stranger also in the office does, so I am justified in my belief that someone in the office owns a Ford, but surely I do not know that someone does. If no one in the office owned a Ford, however, according to condition (N3), to have knowledge I would have to believe that no one did own a Ford. However, if the stranger did not own a Ford in this example, I would still believe the first person did, as I did before and thus condition (N3) makes this case not a case of knowledge. Many have added a fourth condition to ‘justified true belief’ different to (N3), that is that a belief in p does not rest on any false beliefs. However the barn example mentioned by Nozick himself; stopping by a real barn in an area where there are a lot of facsimiles of
barns and not knowing the barn stopped outside is real, poses a problem for this clause.
However condition (N3) is not enough, as it only shows belief being sensitive to falsity, and not to truth. Condition (N4), then, completes the account. In addition to p’s truth meaning s would believe it, it also entails that if P were true in sufficiently similar circumstances, i.e. in the ‘close’ worlds where p is true, s would still believe that p. For Nozick, this answers the problem of the brain in the vat, as it does not satisfy condition (N4), for it could be true someone was a brain in a vat, but they could be stimulated to believe they were not (or just not stimulated to believe they WERE). So for Nozick, ‘to know that p is to be someone who would believe it if it were true, and who wouldn’t believe it if it were false’[2].
What is unique about Nozick’s conditional account is the notion of ‘tracking’ that he introduces. When a person truly believes p, and conditions (N3) and (N4) are met, his belief for Nozick tracks the truth that p: ‘to know is to have a belief that tracks the truth’[3]. This is to say that our knowledge has some sort of relation to the world. For Edward Craig, however, ‘as a weapon against scepticism, the [tracking] analysis is either impotent or redundant’[4]. He argues this with regards to Nozick’s idea of close possible worlds. Craig calls the worlds where we are subject to some illusion ‘sceptical worlds’, for the purpose of his argument.
Craig claims if any sceptical world is a close possible world, then Nozick’s account fails and the sceptic will win. Therefore Craig thinks that for Nozick to succeed with his account, there will have to be no sceptical world close to the actual world, and therefore the actual world is not a sceptical world, for it is close. The problem with this, Craig thinks, is that to posit that the actual world is not a sceptical world (which is essential for Nozick’s account to succeed, as explained) then the sceptic must have already been overcome some how without any reference to the ‘tracking’ analysis.
Craig’s claim seems plausible, however Brueckner[5] in his answer to Craig questions whether Nozick can show that closure is false without assuming that the actual world is not a sceptical world, as if he can, Craig’s critique causes no problem. He thinks that Craig is mistaken. In Brueckner’s example, he shows that it can be possible for ‘Moore knows he has hands’ to be true when ‘Moore knows that he is not in a sceptical world’ is false.[6] This argument is outlined below:
Moore is inhabiting world w, a non-sceptical world. In this world w, Moore has a belief Q – that he has hands. In worlds where Moore does not have hands, Moore does not believe he has hands. So this meets condition (N3). It also satisfies (N4) as in worlds where Moore has hands, he correctly believes he has hands. So on Nozick’s account of knowledge, Moore knows he has hands.
Furthermore, Moore knows that Q entails R - he is not in a sceptical world being deceived into thinking he has hands. With respect to R, it does not satisfy (N4) since in ¬R worlds Moore erroneously believes that R: in these sceptical worlds he believes he is not in a sceptical world. So, on Nozick’s account Moore does not know R. This example shows that, as stated before, s CAN know p without knowing y. This counter-example makes no reference to the actual world, only a different world ‘w’ which could be disparate to the actual world. So Brueckner concludes that now the sceptic can no longer appeal to the closure principle to maintain the premise (1). This seems to successfully eliminate the objection put forward by Craig.
Nozick very clearly points out that he is not trying to refute the sceptic, but only to explain how knowledge is possible even if we must accept it is logically possible we are a brains in vats etc. Nozick believes the sceptic’s argument is ‘playing’ on condition (N3), to show the condition is not satisfied, so they seem to be saying: ‘even if p were false, S would still believe that p’. However, Nozick claims that his subjunctive conditionals are very different to the entailment that the sceptic is assuming is implied. For Nozick, the existence of a potential circumstance in which p is false yet S believes that p does not falsify (N3).
B. J. Garrett puts forward an objection to Nozick’s conditional account of knowledge that also seems to fail. He cites an example where X believes that A’s father is a philosopher, based on being told that B’s father is a philosopher. A and B are brothers. If we apply Nozick’s theory to this situation, X knows that A’s father is a philosopher, even though he does not know A and B are brothers. Garrett wants to refute this; on the grounds that it was just ‘good luck’ that they happened to be brothers that X’s method worked. However, the necessity of brothers always being brothers renders this objection somewhat void. As David Gordon[7] argues, X is using a reliable method, whether or not he knows he cannot use it for unrelated people. It is not, as Garrett says, a matter of luck, it in fact could not have come out otherwise. As Gordon says, ‘why is it a requirement of knowledge that one have good grounds for thinking one’s method reliable?’. Gordon goes further and says even if X has an unreliable method, is Garrett’s example still a counter-example to Nozick? Nozick’s conditional knowledge account is not trying to add to the justified true belief thesis of Gettier, but is seeking a replacement. Due to this, Garrett’s example is not a true counter-example, as it employs X using an unreliable method, when Nozick is not really concerned with justified true belief.Gordon finally suggests the difference between Nozick and Garrett is as follows in Garrett’s concluding paragraph, when he says that Nozick must be able to solve ‘the problems which arise for his theory from certain situations in which a belief that Ø is based on a belief that Ψ (where the believer is unaware of the logical or conceptual relation which holds between Ø and Ψ)…’[8] For Nozick, it is not required to be aware of these logical or conceptual relations to know that Ø. These relations show why the belief is true, but you don’t have to know this to have a method that resulted in knowledge. The essential conclusion of Gordon’s article is that Nozick does not include justified belief in his conditions, so any objections made on the grounds of unreliable methods pose no problem for Nozick’s conditional account of knowledge.
Nozick’s account has had many objections, and I have shown two major ones and how they do not really pose a problem for Nozick. Nozick’s two subjunctive conditions seem to hold in cases of knowledge. As an attempt to show how one can have knowledge despite the sceptic’s possibilities, I think Nozick has succeeded. There may indeed be problems with Nozick’s account, but I find his account the most persuasive. For Nozick, s can have knowledge without knowing they are not a brain in a vat, which satisfies the former ‘justified true belief’ thesis that posed such a major problem for Gettier.
Friday, 21 December 2007
Sup tbh
I am Alice, Ally to my friends, and am a second year Philosophy student at the University of Sussex. It is good. My lecturers are all somewhat formidable. In the term just gone by I studied Epistemology, Kant, and Philosophy of Mind (along with a fucking stupid English elective which angered me immensely). In the term I am about to embark on, I am studying Metaphysics, Phenomenology and Ethics.
Metaphysics:
/ˌmɛtəˈfɪzɪks/ Pronunciation Key -
1. | the branch of philosophy that treats of first principles, includes ontology and cosmology, and is intimately connected with epistemology. |
2. | philosophy, esp. in its more abstruse branches. |
3. | the underlying theoretical principles of a subject or field of inquiry. |
4. | (initial capital letter, italics) a treatise (4th century b.c.) by Aristotle, dealing with first principles, the relation of universals to particulars, and the teleological doctrine of causation. |
Ethics:
1. | (used with a singular or plural verb) a system of moral principles: the ethics of a culture. |
2. | the rules of conduct recognized in respect to a particular class of human actions or a particular group, culture, etc.: medical ethics; Christian ethics. |
3. | moral principles, as of an individual: His ethics forbade betrayal of a confidence. |
4. | (usually used with a singular verb) that branch of philosophy dealing with values relating to human conduct, with respect to the rightness and wrongness of certain actions and to the goodness and badness of the motives and ends of such actions. |
Phenomenology:
1. | the study of phenomena. |
2. | the system of Husserl and his followers stressing the description of phenomena. |